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Why every growing business needs a Strategic Creative Director

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Joost Narraina
Strategic Creative Partner

Last month I sat in a boardroom listening to a conversation I seem to hear everywhere. Marketing said the campaigns looked great but weren't converting. HR said they couldn't find good people despite spending more on recruitment. Sales said their presentations didn't set them apart. Leadership said something was missing, but nobody could name it.

What was missing wasn't another campaign or another agency. It was someone who connects creativity, strategy and business results, instead of treating them as four separate problems owned by four separate teams.

Paying for the same thinking three times

Most growing companies let each department create its own content. Marketing runs brand campaigns, HR runs recruitment campaigns, sales builds its own decks and leadership tries to do some thought leadership on the side. Each piece can be perfectly professional. Together, they rarely add up.

One manufacturing client was spending €35,000 a quarter on separate work for marketing (€15k), recruitment (€12k) and sales materials (€8k). Good work, zero coordination. After three months together we had one strategic approach that served all three, at €25,000. Qualified leads rose 67%, hiring time dropped 43%, and sales conversion improved 28%. Same creative thinking, several business goals served at once. I've written about a similar case in one video concept that solved four business problems.

What a strategic creative director actually does

The role sits where three things meet that most organisations keep apart: creative strategy that cuts through the noise, planning that follows the business objectives, and a constant eye on whether each creative choice is actually moving a number. Without that connection, brands drift into what I call the sea of sameness, where everything is polished and nothing is remembered.

In practice that solves three recurring problems. The first is departmental content chaos: inconsistent messages, duplicated effort, and missed chances to amplify each other. When there's one creative line, HR's employer branding becomes proof for marketing's story and the sales deck matches the campaign.

The second is the gap between strategy and execution. Plenty of good strategies never get implemented properly, and plenty of beautiful work never connects to a goal. Someone who thinks strategically but stays close to the making closes that gap. The third is the split between creativity and performance, where companies either chase buzz without business or optimise so hard for metrics that all personality disappears.

Why creativity still pays, if you give it time

The business case for creativity is real, but it's often quoted carelessly. McKinsey's study Creativity's bottom line found that among the most creative companies in its index, 67% had above-average organic revenue growth and 70% had above-average total return to shareholders.

There's an important caveat. Peter Field's IPA report The Crisis in Creative Effectiveness showed that award-winning creative work had lost much of its effectiveness advantage, largely because of short-termism. Creativity works when it is connected to strategy and given time to build. Clever ideas on their own don't.

What it looks like in a regulated business

One client in a regulated industry had executives who stayed silent online, and were missing chances to build trust and attract talent as a result. We built personal branding that balanced individual voices with clear company messaging.

After six months, executive engagement on LinkedIn was up 300%, there were 52 qualified candidates for leadership roles, and the company was being seen as a thought leader in sustainability transformation. That fits a wider pattern: Brunswick's Connected Leadership research found that employees prefer to work for a leader who uses social media by more than three to one. One strategic direction, several business challenges handled at once.

How the embedded model works

Instead of a full-time hire or another agency, the model gives you senior creative and strategic thinking one or two days a week. You get someone who understands your business context rather than just executing briefs, decisions move faster because there's direct access, and the effort scales with what's actually happening.

The first month is about the strategic foundation and getting the team aligned. The second month brings the first wave of work, and the third is about refining what works and building it into a system. After that it becomes ongoing oversight and support for growth.

A partnership like this typically costs €7,000 to €14,000 a month for one to two days a week. Compare that with a full-time senior hire at €80,000 or more a year plus benefits, several agency relationships at €15,000 or more a month with all the coordination that brings, or the quieter risk of promoting a strong executor into a strategic role they aren't ready for.

Signs you might need this

  • Your marketing team is buried in tasks with no time left for strategy.
  • Different departments produce content that looks like it comes from different companies.
  • You're making a lot of content but can't see what it does for the business.
  • Competitors get attention while you blend into the background.
  • Growth has stalled despite plenty of marketing activity.

None of these are signs that your team isn't good. They're signs that nobody owns the connection between the pieces. That's the role I wrote about in why companies need a strategic creative partner, and it's the one I see missing most often.

If a few of those signs sound familiar, I'm happy to think it through with you. You can read more about how I work, see selected work, or book a 1-1.

— Joost

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Joost Narraina

Let's talk.

No pitch, no slides. Just one conversation about where you want to take your company and your name.

If I can help, you'll know by the end of it. If I can't, I'll tell you who can.

— Joost

Book a 1-1 →
joost@majortale.com · +32 478 81 83 42