

A manufacturing client asked me for a recruitment video. The budget was €12,000, the timeline six weeks, and there were eight open positions to fill. A clear brief, and a perfectly reasonable one.
What they ended up with was one shoot that served recruitment, marketing, sales and leadership at the same time, for slightly less than they had planned to spend. Nothing magical happened. We just looked at the problem from one floor higher.
Most companies organise content around their org chart. HR makes recruitment videos, marketing makes promotional content, sales builds presentation material, and leadership commissions something for positioning. Each department has its own budget, its own production and, inevitably, its own story.
The result is fragmented messaging and content that never reinforces itself. That's less a creative problem than a structural one. McKinsey's research on the business value of design found that consumer-goods companies best at breaking down silos between design and other functions grew about seven percentage points a year faster than the weakest. I wrote about what the departmental approach costs in You're wasting money.
Luc, the HR director, had a standard recruitment video in mind: employees talking about benefits, work-life balance and career opportunities. The usual approach, and there's nothing wrong with it.
But walking through their facility, I noticed something he hadn't mentioned. These weren't assembly-line workers. They were specialists making components for aerospace and medical devices, and their precision was extraordinary. The recruitment challenge and the marketing challenge were really the same problem: people outside the building didn't understand how sophisticated the work inside it was.
So I asked Luc a question: "What if the video that attracts technicians is the same one that impresses your customers?"
Instead of talking heads, we followed master technician Andreas through a complex aerospace project. We filmed him studying technical drawings and explaining the complexity, machining parts to tolerances measured in microns, and finally inspecting the work before it went to the client.
The same scenes meant different things depending on who was watching. A future technician saw an intellectual challenge and real craft. A customer saw quality standards and problem-solving. A prospect in a sales meeting saw production capability, and the leadership team saw the standards they wanted the company to be known for. The footage didn't change. The emphasis in the edit did.
From that one shoot we cut four versions:
Six months later, the results showed up in every department. Recruitment received 23 qualified applications in the first month, compared with three to five from previous campaigns, and six skilled technicians were hired within 90 days.
Website engagement rose by 340%, the video became the most-watched content in the company's history, and 12 new prospect inquiries were attributed directly to it. Sales presentations that opened with the film showed a 67% higher close rate, the sales cycle shortened by 30%, and three major clients mentioned the video as a factor in choosing them. Leadership picked up a speaking invitation at an industry conference and a feature in a trade publication. Two employees from a competitor even applied after seeing it on LinkedIn.
None of this is surprising when you look at how people buy now. Gartner's research on the B2B buying journey finds that 75% of B2B buyers prefer a rep-free sales experience, so your content has to make the case before anyone picks up the phone. And in Wyzowl's 2026 video marketing survey, 93% of video marketers say video has improved people's understanding of their product or service.
The original budget was €12,000 for one recruitment video. The actual spend was €11,500 for one shoot. Next to the recruitment film, that shoot produced a marketing film worth an estimated €8,000, sales content worth €5,000 and a leadership piece worth €6,000: around €30,500 of work for an €11,500 investment.
The savings are nice. The bigger win is that every version strengthens the others, because they all tell the same true story.
Since that project I've used the same approach dozens of times. Customer stories that double as recruitment proof and sales case studies. Behind-the-scenes content that attracts talent and shows prospects what you're capable of. Leadership interviews that position executives while showing the culture around them.
It always starts with one question, asked before anything gets filmed: "What other business objectives could this serve?" Find the authentic proof point that matters to more than one audience, capture it once, and edit it several ways. The goal isn't more content. It's content that does more than one job. For the opposite scenario, read about the meeting where a client was about to make the same content four times.
Andreas still works at the company. He's now training the six technicians who were hired from that campaign, and the film that brought them in is still working for customers, sales conversations and leadership too.
If your departments are each briefing their own version of the same story, I'm happy to look at it with you. You can read more about how I work, see selected work, or book a 1-1.
— Joost

No pitch, no slides. Just one conversation about where you want to take your company and your name.
If I can help, you'll know by the end of it. If I can't, I'll tell you who can.
— Joost